Barthes the pleasure

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Barthes, Roland. The Pleasure of the Text. New York: Hill and Wang,

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The Pleasure of the Text was written in French and later translated into English. Barthes sets out some of his ideas about literary theory. He divides the effects of texts into two: plaisir "pleasure" and jouissancetranslated as "bliss" but the French word also carries the meaning of "orgasm". The distinction corresponds to a further distinction Barthes makes between texte lisible and texte scriptibletranslated respectively as "readerly" and "writerly" texts a more literal translation would be "readable" and "writable".

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Text of pleasure: the text that contents, fills, grants euphoria; the text that comes from culture and does not break with it, is linked to a comfortable practice of reading. Now the subject who keeps the two texts in his field and in his hands the reins of pleasure and bliss is an anachronic subject, for he simultaneously and contradictorily participates in the profound hedonism of all culture which permeates him quietly under cover of an art de vivre shared by the old books and in the destruction of that culture: he enjoys the consistency of his selfhood that is his pleasure and seeks its loss that is his bliss. He is a subject split twice over, doubly perverse.

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Directed by Alain Renais with costumes by Coco Chanel and cinematography by Sacha Vierny, the film became a celebrated part of the French Wave of experimental films. Indeed, like all post-war theoreticians, Barthes was a product of Marxist ideas, common among European intellectuals. In contrast to traditional Marxists, Barthes did not find oppression in social relations but in the order of signs or in the framework of language itself.

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