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Raised in CornwallJames began releasing acid techno records in the early s under aliases such as AFX and Polygon Windowand co-founded the independent label Rephlex Records in He signed to UK electronic label Warp the following year, and rose to mainstream popularity with the charting singles " Come to Daddy " and " Windowlicker "backed by music videos directed by Chris Cunningham. After releasing the album Drukqs inJames continued to issue music under other aliases, including the Analord EP series as AFX, a pair of releases as the Tussand archival material such as an unreleased LP in as Caustic Window.
You better stay far away from the house on the hill. If you come one step closer, you will be lost forever. Lost as the two sisters who live in that house.
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If you were alive during the '90s, there's a pretty good chance you've seen the smiling faces of Mary-Kate and Ashley a. But behind those smiles were two young girls thrust into the Hollywood industry before they even learned to walk. Thanks to literally growing up in front of TV audiences on the hit sitcom Full Housethe twins were able to leverage their fame into a direct-to-video empire before a brief stint as tabloid fixtures and a box-office bomb made them flee from the spotlight.
It wasn't so long ago that we were treated to lingerie matches and even women fighting in bowls of gravy seriously, that happenedbut women are now seen as legitimate drawing powers in the WWE and with the talent the company has, rightly so. The 'diva' era in the WWE is an often criticised one; women were being hired on their looks as opposed to their in-ring talent and even if they ended up developing as performers, the WWE gave them such little time to showcase their talents it was hard for them to get a real footing in the company. The Bellas are often associated with that era, despite Nikki Bella, in particular, being the champion that transitioned with the title when the wave of NXT talent came to the main roster.