Amateur cinema

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In the light of Amateur films, it has been regarded as an often unattended side in the subject of motion picture. This specific perusal aims to contend the central degree conjecture given by laid implementations in academic works on this area of film studies. Amateur Films presents reconfigurations of rambling theories, operating a composite and an evolving white-collar motion picture production.

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Ongoing and past projects relating to the use, research and promotion of amateur cinema and home movies. Enrique is also completing a PhD. More concretely we are interested in the question how changing technologies of cultural production film, video or digital camera have shaped new practices and rituals of memory staging screening of the films in domestic of public venues and thereby initiated processes of re negotiating user generations and group identities.

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The discovery of amateur cinema and home movies 1 as archive sources and their use in audio-visual productions documentary film, television, new media in Italy is rather recent, unlike in other European countries. Moreover, the cultural potential of amateur footage as shared heritage and collective memory is not yet entirely acknowledged. In this article I will briefly investigate the impact of the amateur audio-visual heritage in Italy and its role in contemporary documentary film, as well as its re-use as private and historical evidence in audio-visual and new media productions, a phenomenon that—with a few exceptions that I will highlight below—dates back to less than fifteen years ago.

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Ever since digital media and Web 2. To join the group please contact Dr Motrescu-Mayes amm [at] cam. Programme: Interests in amateur film and visual story-telling span many years and interweave with preoccupations with travel, landscape, belonging, memory and identity.

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The ACL was the first international association for non-professional moviemakers, spurred on by the increasing popularity of the amateur filmmaking subculture in the late s Swanson, By focusing on non-commercial filmmaking, the league strove to nurture and support an amateur movie making culture internationally. Objectives for the organization included increasing the pleasure of making home movies, promoting amateur cinematography as a sport, organizing amateur movie clubs, publishing a monthly magazine for amateur filmmaking, establishing a film exchange, encouraging amateur film writing and finally, maintaining home picture making on an amateur basis.

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With the advent of digital filmmaking and critical recognition of the relevance of self expression, first-person narratives, and personal practices of memorialization, interest in the amateur moving image has never been stronger. With contributions on the role of the archive, on YouTube, and on the impact of new technologies on amateur filmmaking, these essays offer the first comprehensive examination of this growing field. Patricia R.

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Indiana University Indiana University. Amateur films were polished short works aimed at an audience of fellow amateurs and members of the public. Distinct from rough home movies, but produced outside the commercial system, they include dramas, portrayals of everyday life, travel and nature films, comedies, and many other subjects and genres.

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Amateur film is the low-budget hobbyist art of film practised for passion and enjoyment and not for business purposes. These organizations arrange annual festivals and conventions. There are several amateur film festivals held annually in the United States, Canada, and Europe.

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Theoretical consideration of amateur cinema has to be one of the most neglected aspects of film studies. It has been over ten years since the last single-authored book was published on amateur filmmaking, yet there have been few significant further interventions in the field. While important studies have emerged in the last few years, there has tended to be a deep divide between empirical research and theoretical critique.

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Six curator-historians present six short, sophisticated movies covering a year span, from through If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material including installation views, checklists, and press releasesplease contact Art Resource publication in North America or Scala Archives publication in all other geographic locations. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze scalarchives. For licensing motion picture film footage it is advised to apply directly to the copyright holders.

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